Dante begins the opening of Canto XXVIII with a rhetorical  headway. Virgil and he   feed in up just arrived in the Ninth Abyss of the  ordinal  disperse of hell. In this pouch the Sowers of Discord and Schism  are continually wounded by a demon with a sword. Dante poses a question to the  contributor: Who, even with untrammeled  words and m whatever attempts at telling, ever could recount in   full the blood and wounds that I  like a shot  precept?  (Lines 1-3)                The rhetorical question draws the reader into the passage because we know by this point in the Divine Comedy that Dante is a  bulky poet. What is it that Dante sees before him on the brink of the Ninth Abyss that is so ineffable that he, as a poet, feels he cannot handle?               In the following lines Dante expands on this rhetorical position. He elaborates on why it is important for any man to offer a  true  explanation of what he sees. No poet can achieve this description: Each  dialect    that tried would certainly fall short... (L. 4) It is not just poetic talent that is at s dole out; poets do not have the background to give them the poetic   force out out for such description. His reasoning is the shallowness of both our  speech communication and  nous cannot contain so much.

  (Lines 5-6) Once again the reader is intrigued; how could a man of Dantes stature criticize language which is the in truth  son of a bitch he uses to create the  epic poem work of La Commedia ? If we cannot take Dante seriously with these opening statements, we  must(prenominal) pose the question of what Dante is stressful to do by  tantalization us with this artificial  etymon to Canto XVIII?                  Dante will now contradict !   himself and try to  secern what he says is impossible. But, if he were to go...                                        If you  fate to get a full essay, order it on our website: 
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