"The Love Song of J. Alfred Prufrock" T.S. Eliot's Portrayal of Personal Failure & Inadequacy

The title of Eliots poem immediately puts an end to any bona fide suggestion that it has a romantic side. Indeed, the real name of the credit entry implies that he is a rather obscure fellow, in payoff a total non-entity. As the premier stanza begins, the opening cardinal breeds be fairly innocuous in their description of the even out sky, hardly any further thoughts the reader might fork over regarding what is - subsequently all - supposed to be a sexual love song, ar soon dissipated by the flat honesty of form 3: Like a patient etherised upon a table; This line is far from romantic, at least in the normal experience of the word, and the following lines which allude to muttering retreats, cheap hotels and streets which follow like a tedious pedigree of insidious intent do little to stand for the poem with love and romance of any description. The final misgiving towards the end of the poetry provides the reader with very little in the way of an explanation, and one gets the impression that Prufrock is experiencing some form of midland turmoil. Eventually, the flowing tempo of the poem becomes sharply lessened as two very interesting lines follow the end of the first versify: In the manner the women come and go talk of Michelangelo. By employing such a method, Eliot has introduced the inadequacy of his character, cutting piffling Prufrocks diatribe about the vulgarity of his existence and using a simply rhyming couplet in order to pip his character with an image of pure despair. Such despair, in this case, is intelligibly born of inaction and Prufrock is wondering how on earth he can possibly impress upon middle-class society. The second verse makes use of an intriguing metaphor in order to lodge a comparison between the evening fog and a... If you motivation to get a full essay, order it on our website: OrderEssay.net

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