'The Namesake - Summary Paper'

'Jhumpa Lahiris representations of the Indian American individuality, by examining the pistillate character Moushumi Mazoomdar, in particular focuses on the phases of retraceive memory of her in similitude to her conflicted identity. Moushumi constructs her identity establish on her social relationships and tries fervently to get over her crises done reinventing herself by taking dominate  of these relationships, an endeavor in which she struggles to succeed in. She attempts to reconstruct her identity in various shipway. all through separating from two the main acculturation and her ethnic culture, embrace a more than risqué lifestyle as opposed to the orthodox values of the Bengali women, or through settling use up and then engage an affair. The raw revolves near the theme of identity and the pagan/ stirred up dislocations suffered by them in their effort to fall off home  in the new awkward which is emphasized in a several(predicate) manner among concourse of two generations\nThe novel follows the lives of an Indian immigrant family and the ways in which identities be explored and constructed/reconstructed by both the first-generation immigrants (Ashoke & Ashima) and spot-generations (Gogol & Moushumi). The sulfur generation characters ar illustrated as more dynamic. While the first-generation characters showcase cultural and racial dissimilarities in the U.S. and draw ways to meliorate their lives in America, The second generation characters have even more exilic, and their constructions of identity are constantly organism challenged by both Indian hereditary pattern and mainstream American cultural/societal standards. observe these exiled second generations experiences of border-crossing and transcultural interactions, this paper illustrates the meat of individuality and reinvention pertaining to Moushumi in this diaspora novel.\nMoushumis is first introduced during Gogols birthday party. They meet as kids, bu t she did not take a liking to him, or any... '